MoDA holds a total of sixty Notgeld or 'emergency money' banknotes in the reference collection which belonged to the designer Charles Hasler. The notes are double-sided and printed with their monetary value, information about the village, town or province of issue and colourful illustrations.
Notgeld was produced by German towns, villages and municipalities from the end of the First World War until the mid-1920s, when the state bank (Reichsbank), struggled with wartime shortages and post-war hyperinflation.
During the war Germany’s population had to get used to substitute rubber from petroleum, substitute coffee from acorns, and even substitute clothing and underwear, made from paper. But above all, there was a desperate shortage of metal, and early on in the war individuals began to collect small denomination Reichsmark coins, because the value of the metal that they were made from had exceeded the value of their face value. As the war progressed, metal was needed for more pressing purposes than currency, the production of war supplies, for example. By 1919 low value coins had disappeared, and substitute money, Notgeld, made from paper rather than metal, was issued by municipalities and other regional bodies. After the war, Notgeld became an important form of currency again, when Germany experienced a disastrous hyperinflation which peaked in 1923.
The text and images on Notgeld express regional memory and identity. They are illustrations of local pride, intended to promote a city’s attractions and stories. The notes were meant to awaken the curiosity of tourists and travellers, and to convey the civic pride of a town’s inhabitants. Through a glimpse at some of the banknotes, the public mood from a particular part of Germany becomes tangible. Some banknotes are highly humorous or sarcastic, even making fun of Notgeld itself. Others are more earnest, and then there are examples which are rather sober and less ornate.
The city of Strausberg chose to show a view of its “great streets” and the Landsberger Torturm, a fortification tower from the 15th century (CH 5/4/2/5/50).
There is another banknote from Strausberg (CH 5/4/2/5/35) that illustrates the visit of the famous General Wallenstein to the town in 1624, highlighting the historical importance, as well as the idyllic beauty of Strausberg.
This banknote (CH 5/4/2/5/43) from Suhl displays an armed soldier, with a reminder that once upon a time the city used to function as the armoury of all of Europe, and supplied soldiers with harquebuses throughout the Thirty Years’ War (1618-1648). Here, the town is conveying pride in its history and regional importance.
One glance at a piece of Notgeld can easily reveal the public mood from a particular region and time of Germany. This piece (CH 5/4/2/5/39) from Glatz (now Kłodzko, Poland) shows a man teaching a child to save money and store it safely in a piggy bank. This note is much less colourful than many of the other notes in MoDA’s collection. It was printed during the hyperinflation and reflects the dire situation than many Germans experienced at this time.
Here you can see a banknote from Tegernsee (CH 5/4/2/5/31), the front shows a beautiful landscape, emphasizing the impressive countryside around the lake. On the back, however, you can read “Wer hätt’ je gedacht, dass in solchem G’wand ‘mal Mark u. Pfennig wandern im deutschen Land!“ (trans. Who would have ever thought that marks and pfennigs would wander around the German land in these clothes?) This rhyme is acknowledging the difficult situation of substitute money, but it is also ridiculing the very concept of Notgeld.
Freyburg adorned this piece of Notgeld (CH 5/4/2/5/13) with the medieval tale of the Landgraf of Ludwig. It is a tale of oppression and the triumph of justice over evil. The story became a popular saga that was told in and around Freyburg and there are several well-known collectors of folk tales, including the Brothers Grimm, who recorded the tale in both prose and verse
Since Notgeld notes were highly decorative and often humorous, they soon became collectors’ items – and still remain popular with collectors to this day. When municipalities and other issuing bodies recognized the popularity of Notgeld, they continued to issue colourful banknotes specifically for collectors. These particular types of Notgeld are known as Serienscheine, (serial notes) as a number of banknotes were often printed in the form of a series that told a particular story. These collector notes were issued with a very short validity period and often they had already expired when the Notgeld was issued. Serienscheine tend to be very well preserved and can be found all over the world as they never actually went into circulation, but were issued especially for collectors.
One example for such a series of Notgeld is this intricately illustrated banknote from Döbeln (CH 5/4/2/5/58). It is part of a series consisting of eight banknotes that tell the story of how the brave and loyal woman of Kriebstein managed to trick margrave Frederick the Warlike and the Elector of Saxony.