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Ine (Rice plants) or Inazuka pattern (Bundle of rice plants) Katagmi stencil
This katagami features a pattern representing the hope that autumn will bring a bumper harvest.
‘Komochi-Fuji’ (wisteria) inside the ‘Bundou’ (Balance weight) surrounded by ‘Botan’ (Peony)
Katagami stencil depicting ‘Komochi-Fuji’ (wisteria) inside 'Bundou' (Balance weight) surrounded by 'Botan' (Peony).
Aoi (Hollyhock) Sakura (Cherry Blossom) and Chou (Butterfly) katagami stencil
Aoi (Hollyhock) pattern is one of the typical classic patterns in the Heian Period (AD 794-1185), and can often be seen in the costumes and furnishings of the court nobility of that period.
‘Kiku’ (Chrysanthemum) with the rain pattern
Katagami stencil depicting chrysanthemums, an autumnal flower, combined with a rain pattern.
‘Botan’ (Peony) and ‘Chou’ (Butterfly) second katagami stencil
This Katagami has ‘Gara boshi’, cut out signs, indicating that it is part of a set, usually two, called ‘Nimai-gata’.
‘Botan’ (Peony) and ‘Chou’ (Butterfly) first katagami stencil
This Katagami has ‘Gara boshi’, cut out signs, indicating that it is part of a set, usually two, called ‘Nimai-gata’.
‘Sakura’ (Cherry Blossom) katagami stencil
'Sakura' (Cherry Blossom) pattern has been favoured by Japanese since the Heian period (794-1185).
Matsukawabishi pattern with a square rhombus in ‘Urumi-gata’ style
The pattern of this Katagami relates to 'Matsu' (Pine) and "Matsu No Ki" (Pine tree) in the late Edo period (1780-1867).
Firefighting group of ‘Hauchiwa’,’Hikeshi Banten Kakuji’ and ‘Hikeshi Daimon’
The pattern of this Katagami was designed for dyeing fabrics (clothing, flags etc.
Butterflies against a background of tied bunches of wisteria
Chou (Butterfly) is one of the most popular patterns in Japanese culture, often seen on Japanese Kimonos and textiles.